Please be advised that in the event of technodweeb overload, nerd filters will drop from the ceiling, allowing you to breathe normally.
Audio is recorded mostly with 32 tracks of Pro Tools on a Quicksilver Mac 867mHz G4 for multi-track stuff. For MIDI tracks with voiceovers, I use Logic Audio. I have 8 tracks of ADAT, and DAT and Otari open-reel mastering machines, for those who like that sort of thing. Realtime analog mixdown is on a Behringer Eurodesk. FX and signal processing are from Pro Tools, Lexicon, Digitech, ART, dbx and Yahama. Microphones are from Audio-Technica.
MIDI runs from the aforementioned Logic Audio and Pro 5. Sound modules include Reason, Pluggo 3.0, Kurzweil 2500s and 2000s, a Proteus farm, Korg X5DR, Emax SE, Kurzweil MicroPiano, and, of course, the old reliable Memorymoog (you CAN go home again...).
With a few hours' notice, I can rent almost anything a client would need. While not strictly in the "Equipment" category, I have an extensive library of local singers and instrumentalists. Among them is just that special someone to play that merengue harmonica obbligato with the paso doble overfeel that you need for the AT&T spot.
These are some of the individual and corporate clients with whom I've enjoyed working:
For the vast majority of projects that I produce, all sounds (except for voice talent and special solo instuments) are produced in-house by your obedient servant. After meeting with the involved parties, I produce several off-line scratch tracks to be used as templates for discussion. After pre-approval, I produce my on-line final.
Commercial projects are almost always handled on a piece-quote basis; for smaller projects, or one-time sessions, the following rates apply:
| Off-line composing, sequencing and/or arranging | $60/hr |
| On-line studio services (performing, recording, sound design, soundtrack editing & manipulation) | $75/hr |
| Location recording (my basic session geek rate) | $100/hr |
| Talent (additional musicians) | quoted |
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site updated: January 10, 2000